Posts tagged ‘Falcon Heights’

February 17, 2018


cold, and the famous old man statue
conjures me with a grimace of polished rust.
walking the circle on St Paul campus, I see
naked trees, they are hung up with rope;
scholars going somewhere on them to the the sunshine.
just above the snow and ice and frost and knots.
cutting my buzzed sheen head, skimming my glance.
a glare off the white. constant this time, lunch…
and we just spoke softly of bugs and his Vietnam
and Hodson in letters, inquests, and ways to
go about taking care of others’ dogs.
and making dog food and fixing end boards.
cold, there, cold outside. had a coffee too.
just walking around the circle, such is life.

July 6, 2016

robins gathering

mother robin feeds her baby at window’s edge,
such new reflection of life passing through.

June 2, 2015

At the Back of Hodson Hall

At the enormous back windows of Hodson Hall, looking east towards Falcon Heights’ standing homes, over an expanse of grooved fields—carefully worked, a person can gleam breaking light caught on cement sidewalks, red bricked structures, and shined square glass low in the early day haze.

Outside seagulls float, calling, in caressing morning brilliance at you, asking “caw?”

What does that mean??? I wonder.

Their questions as ambivalent as a cloud’s shape and meaning to curious children…

I wondered, how did they get here, there is no sea in Minnesota (smh).

These worldly reflections begged, knocked, and retained sharp attention of waking eyes, pupils pulled tight at the warming occurrence, such nature for a sparking mind to ponder, as if synapse was crackling, as if creation was tore in two.

Supple ears held the bird’s sound in their netted web of up and down—their inquiry, as they danced, above, gliding, laughing high pitched at you.

Only to stand and watch, only inside what is inside.

The sun had begun its orbital voyage, those with white feathers and all life in tow, infinite unending, and all the connections of connections exposed.

It paint as an artist’s brush over lands, trees and grass, overhead, above polo shirts and homeless ragged men, showing.

Leaving for a moment its mark; then as fleeting as it appears it vanishes to dark.

The warmth was there to stay—so ephemeral, as a Mayfly’s life, in a moment’s hesitation lost; shadows draw long in the absence, as flowers quick bend their praise.

A day we have, then not.
It is here, then it is gone.

This colorful set constantly changing, to the chagrin of progress, to the luck of fickle nature, and to the impromptu dialogue of the local theatre company.

Another tomorrow awaits at the end of coming dusk, with quizzical seagulls, with fascist sunlight, with worldly reflections in tow, with fired synapse and buttoned polos and people begging for change, anything you could spare will do, until they take their bow.

And the light caught it all at the back of Hodson Hall.

(End Scene.)

May 29, 2015

A Ride to Work with Late Masters

Sweet smell of morning
and leavings of last night’s rain
were scattered about,
sluiced on glass and ground,
left abandoned for drying.

A naked wrist called to remember Warhol.

The wild storm came and went,
as 4am was time, as day break was birthed,
as the tired feeling that reels one to a cold shower expires,
as eyes to a mirror interrogation, to face this—
was deep and strong.

Hands never moved on the melting clocks, where ants carried away.

Haring said, “I am becoming much more aware of movement.
The importance of movement is intensified
when a painting becomes a performance.
The performance (the act of painting)
becomes as important as the resulting painting.”

In order to become whole energy burst through,
coming down pieces, it restored movement.

Where stiff blades of grass begged of overcast—end this holocaust,
“Just drop, fall already!”

And it happened, moving in a storm-window screen
as a runaway train through a dark tunnel,
as a maladroit thief in the night—confused at access, loud.

And that was the waking siren emboldened,
no firetruck’s scream, no squad car whoop, no alarm bells ringing.

Dali enjoyed watching Gala with other lovers, they came.

This sound predated them all,
and it was just pressure and water and air and now.

I caught the leftovers in a rearview mirror flared reflection
at a stop light turned red; the droplets cascaded down
at the truck’s growly acceleration.

Soppy beads rocked in zigzags about the exterior of a blackened rusted frame.

Sun caught on the cloy smell of dying lilacs—sweet,
chain coffee in the console—weak,
and exhaust from a boxy bus that was slipping by noisily—disgust,

motivation to kill, the latter cacophony in soft mushroomed cartilage.

The formers caught porous nose at the same time.

We were all traveling in the storm’s wake to get somewhere,
and some of us were living unnoticed.

April 20, 2015

Commute Home through Como

On a home commute lately,
on Como Avenue’s length,
under streetlamp’s orange presence,
with blurred trucks and cars,

where sleeping neighborhoods
and empty industry wait;

I am moving between point A and point B,
I am alone in the dark nodding hello
to the stoplights changing,
empty storefront’s grey,
and mounting sidewalk debris.

Still some bars glow,
still long trains roll.

Coming to me are night smells
of dried hay—ironic spring,
careless weed smoke blown,
and fabric softener exhaust—all biking home.

Lost in darkened new elements
under low heavens, star speckled skies,

lately through Como,
on a commute between two cities,
resting local economy,
where sparkling broken glass
is scattered—reflect, a sight,
in clouded purple shade
of night, no sun, to my eyes, and going home.

June 19, 2014

Minor Details

Eyes in front,
Focusing on some high-rise Ant Farm

Minor details…

No coffee; none for sale.

Thoughts on our time
When contemporaries write on depression
And how they want to write,
Immodestly mentioned

Do they write for words or recognition?

In my mind,
At the beach
An ex heroin addict describes me as fat- I react.

Paltry people
Trite intention
Sad appeal
Apathetic apprehension


Off to work
Watching busy professionals pace hard by
Begging for fame- notice me! They say.
-Under heavy skies.