Archive for ‘media’

March 30, 2017

press on strong…

every day to the last,
and make that so.

March 28, 2017

how to be a thoughtful globalist in the wake of fake intellectuals

this would make me empassioned, or
impassioned.  i am passionate about this something…
that’s how i get
when neo-globalists
who’ve never left the states
try to fix
other people’s problems
with
their English language exclusively.
the irony of westernization; fixed only by itself. YOU SEE?
and that is what they call backwards and selfish.
tho, there will be no stories of this on the news.
because just get out there and disrupt because.
and they should
call those who
think locally “nationalists” too.
a bunch of loud fools.
you know, somethings don’t translate.
you know, people might have different opinions.
this is how language works.
so when they/you designate
their/your ideas, ideations, and ideologies
as such, i just smh in realtime.
so silly, so stupid, so same.
that is why i am a where-ever-i-am-at-ist,
because i am right there,
i can attempt to understand
what i see and experience around me,
for me, for truth, for better.
maybe even for you…
but honestly, not for you (i don’t care)
or the tv (forget tv), i won’t facebook livestream it
or create a clever sign that
gets thrown away next day in some ironic carbon footprint
(that you too should actually hate)
after the post and the filter and the likes–fretter fakes.
and that is what i am passionate about,
or empassioned about, or impassioned about,
all that is around me
because i can touch it tangible,
as they said, i can feel the real,
i can set the clock next to the bed.
and there is something about language and labels.

March 10, 2017

a flower underground

i knew what it felt like to be a ghost,
or an earthbound flower,
all information, all the time
on these matters: doxing and politics,
when that is all we absorb in our bones.
where the oatmeal ran cold
below contemporary jazz notes
and a vase full of roses.
here were also books in layers
onioned out over our wooden shelves.
and dying temptation had me
money in my pockets–full,
rich like those other in-tune saps,
unwanting and vainglory lame,
found doing the same ways,
for another 8 years with no change.
then i read through it entirely,
a children’s book saved me.
Fox In Socks again, very closely, and smiled,
we don’t do that enough;
it’s lonely at the top,
it’s quiet at the top,
other people hate the top–what hate(?).
humor, the distasteful, slop.
i think about time and how it escapes me,
i think if i could make it stop
and smell the fancied spring flowers
i’d want to make it start again.
i’d know that they were never really there.
modern days of trials and errors
never let you live it down;
beauty never seen, a flower underground.

February 24, 2017

how about that snow minnesota, pretty bad huh? (a bunch of dummies)

i guess, when your facebook predicts it
in so many memes
and the weather team can’t be wrong,
how does one cope by just stepping outside
into nothing that was said,
stepping outside
into the alternative universe
you create
by not just going along with a crowd
that may or may not be right
uniquely defined by such honed definitions
and individuals turned to
what amount to metaphorical piles of snow,
losing ground in May
and not exactly sure of what to do
or say in text about anything anymore.

February 11, 2017

#Resist : the Sierra Club to Planned Parenthood

from an Ikea brand couch
scrolling my social media feed,
i ponder how many trees it takes
to make a modern revolution’s
professionally made protest sign
that says “me” and evokes “you” to react;
here, i give you honest truth–
as i sip my latte, the $10 one from Starbucks,
it tastes okay, but could be better;
to presuppose a certain movement
or ideology is more imperatively just,
i do wager that for all–i know,
which one is better and more necessary
than the rest, for the rest, obviously.
here subtle meanings are left to expire
on my re-purposed dumpster rug,
which really ties the room together;
passed by at its open casket wake,
where later these signs may litter hard pavement,
a place where my American made boots
and skinny black jeans may not go,
only in mind…
and we talk and like and demonstrate.
we are so importantly important,
this is what democracy looks like.
…and really, who bought these signs?

December 23, 2016

what to expect when you sit down to write a poem

When you sit down to write a poem
it mostly happens. I believe that anyone can do it.
Writing poems is easy, depending on the poems
you write and the audience you write to.
If you were a press and your goal was to make money
off of poems, then your audience would be donors.
I assume they are harder to write to than bloggers.
I guess an idea that blew my mind is
publishers would have competitions
and offer cash prizes and then after they rejected you
they would send out emails about
how they need your money. I never got that.
People asking for donations after they rejected your work,
as if the words you wrote lacked the luster
and the importance of the words of others.
I suppose certain grant writers get more money
for certain words, certain editors need salaries,
and certain ideas hit closer to home.
I mean, I am a father, a husband; I am white and male
(but none of that matters; but identity is chic now);
I have tried hard as any to get to where I am.
I would say I am a poet but by most accounts
and the emails I get, that means I am a failed poet.
I don’t make rent or pay bills off of my work,
it pays in smiles and a sort of pride
that only you and I would understand.
What I do is safe as a handrail on icy stairs.
What I do is very, very, very easy
because doing something you love shouldn’t be hard.
What I do isn’t exactly defined, thankfully;
in a scene you have to either be or not
or just keep going until someone notices you
and either says “shit” or “genius” or “you are that poet”
and that really depends on the time of year
and who you are close friends with,
and what kind of poem you read at the open mic, and how.
So, I have noticed, when you sit down and write a poem
it usually happens, and you can do it,
though I would say most are worried about perfection,
how other people feel about their ideas,
and would hide their art because
it might lack meaning, identity, or a soapbox purpose,
absolutely defined by others in a social vaccuum.
But we will never know. And that is why I wrote this poem
precisely for you. I find it a huge success.
Writing mostly happens, or I guess it doesn’t.
Easy as mom’s Facebook post or Trump’s tweets.
Easy as pressing keys and not marketing.

December 13, 2016

i guess i am afraid too…

i think of our fast time
when and where the fear
holds us tight, when
we tell everyone
how afraid we
are about everything
and anything, everywhere,
so vocally, so knowingly,
and how our ways only
will most likely change that fear.
then i think
about a class that
i took a few weeks back,
one of self-defense, surely,
when and where the
instructor told us all
to not be afraid
of the dark, or not
defend ourselves if we are
and we find ourselves in it.
i mean, it seems so easy,
but the basement can
be really scary, the dark alley
can be truly terrifying,
the misunderstood politician
can seem as the devil incarnate.
and then i remember
looking to outside St Paul,
out on the cold streets,
crusted in white hard snow,
alight with daybreak,
that cold that is out there
in the sun is more
dangerous to us–30 minutes and
you are dead, and that
the summer clothes hanging
in my gloomy basement are
only as scary as i make
them myself, they blow in the wind,
they touch me like shadows,
they do what i tell them
to do in my head. this is what i fear:
the irrational fear of others.
so, i guess i am afraid too…

December 1, 2016

fake news/ fake people

fake news
is
actually
news,
like
fake people
are
actually
people.
i mean
think
about it.
how many
fake
plants
do you
see in
your office
each
day, and say:
damn,
those aren’t
real
plants,
i won’t
see
what they
have
to say
about
things.

November 18, 2016

religion: media

what i have learned since last Tuesday,
and the sunny Tuesday before that

which so unceremoniously passed,
is that when someone tells me something

is a true something, it usually is. the labels.
the fears. the concerns. impending doom,

obviously. the end. i understand that
it usually is, and not just some spectacle

to make you watch over there. or closer.
i mean, no one ever cries wolf anymore.

no one really gets paid to say. or maybe i’ve
wasted 2 years of my life for their chance at 4.

or maybe the 67 bus will arrive late today,
so i can wait longer. man, my good ambitions.

and nothing ever changes. here comes the sun
slowly shedding light onto such fancy.

November 17, 2016

there are no part-timers in a capitalistic world.

true activism is
very important,
especially to
the career activist,
because
even if there
isn’t a problem yet
there is still
rent to pay.

and perhaps always
some imagination
to make.