Sure, they tell you to
join their literary groups
in order to get your words read,
in order to get your art noticed,
in order to make an impression on
the blossoming local scene.
Well, it’s just that: local,
and it still is, that’s it.
And a person can become
an organization alone.
Few think about a broad world
where 9 billion people might enjoy
everything or nothing that the creative
text you wrote has to offer…
Yeah, I think, gatherings are good for some—
those who need crutches for strong legs,
or those who need stitches for band aids.
Those who need editors
to change their ideas
so they will sell
and morph into comfortable writers.
I need approval
from institutions to feel good
That would have to be
my anti-motto, something I truly avoid.
Ha! Such jokes…
Years back no one would read
new cognitive prose,
my free work, no one would talk
zero recognition—I certainly wasn’t overseas then,
and I still am as called before
a “failed writer”.
Everyone was doing their own thing;
others were not as important,
it was about self—well, selfishness,
but on the side there was
a feigned pack mentality.
The only change they wanted
was the change they made.
Now poets go around
and pretend as though
everyone in the Cities
should get involved,
because what they were doing
back then, individually didn’t work,
so lets band together.
It didn’t pan out for them.
Their dreams came only at REM.
So, now they organize cliques,
they establish large groups into
bad plays on high society hierarchy,
the kind of thing that real
artists have vehemently loathed.
They set their own rules, now,
and their own guidelines—
if you can’t beat them join them—
yeah, good idea.
What a theory,
such lack of heart.
I think in this case
to become a part of it,
to get to the epicenter,
to get to the whole,
to be welcomed into this special circle,
the imaginary self-actualized poet,
famous, you-know-me sort of thing,
you would have to admit defeat,
you would have to admit you lost,
and that your initial passions
were complete shit.
You would probably have to change your ways,
attempt to be more like them—
assimilate, like the rest,
figure hip dress, obscure verse,
employ ten-dollar words,
cloned topics—of course gendered,
racial, anthropological, progressive,
and leftist political,
try for universal acceptance, right here.
Yawn, I say,
describe a situation,
an actual event:
CC was on 4th street SE at the bus stop,
she had forgotten my name,
her lips were red,
she said she had a new job.
I rode away on a bike
while passing out flyers.
I mean, you might as well kill progress,
just so your road is less rocky.
Leave change by the wayside,
never go against the grain.
A conformist mentality
will help you fit in better,
don’t ya know?
Your personality, your ideology discussed
only in past-tense phraseology and terms,
it all must go.
More of the same than Minnesota lakes.
But then you think about
how you were once a unique person,
an artist, that no one read,
no one cared about,
and how it was fun doing what you loved.
People read, they were baffled, confused,
or were turned off—or became aroused.
Now you do it to please others,
while not pleasing yourself,
while pandering to their ways.
They stare, they clap, they record,
they namedrop, to charm the masses, for a club,
to be accepted, to be loved for being
something that they are entirely not.
See, I imagine that.
I fancy fickle easy artists,
they travel in bands
with big words and little action.
One would have to sell off
their creative soul
to even try to get involved.
I imagine fellatio costs less,
either way they get ahead.
Am I in Hollywood?
It’s so confusing.