Posts tagged ‘Literature’

July 29, 2015

A Moment of Silence for Cecil the Lion

Texts of love were left drawn
on post-it’s at the kitchen table—
outside Southeast was dark green
light blue and a soft cream, where cars played
musical chairs with endangered spaces.
A “truly real” JFK documentary flashed
on an antique dusted Macbook screen
as dead lions were tracked—bloody, slaughtered,
on airstreams of a dim kitchen scene;
talking heads were barking so loud,
along with representatives and agencies;
they described him as going out
like the late and tragic Francis Macomber,
like a stiff drink for Hemingway’s hands,
on a hot African Safari-esque day.
In the hot seat with cold feet, dew points
gone with yesterday’s sweltering heat.
Where, the frightened tenants overhead
were bumbling, dragging, moving,
as winds blew over the porch chimes, sharp,
an inordinate happy metallic song—
a cat jumped at the natural commotion.
Oblivious, like don’t you know?
What the fuck, and where’s my lunch?
A man oversaw over honey mixed coffee,
Hard eggs, and chicken-scratch lines.
Happy and broke, happy bloke,
and happy to be in a Midwest City, alive.
In a room with one warm thought:
I am not world infamous yet,
I am not like Dr. Walter Palmer.

July 25, 2015

Poetry Critics

Critics of today couldn’t take
away the feeling of the act.

No matter how hard they try,
no matter the American sentimentalism.

Or, the labels tossed
around as exactly absolute.

No matter what authority
or agency they promote.

It feels so good.
It feels so alive.

It feels like creation.
Pressing buttons to get a reaction,

from the black and white
and the dots and lines,

people see and they say.
Your cloudy mind turned

to someone’s bright-light inspiration.
It is nothing to not do; it is something

to believe in your actions.
No matter where you are:

on Hennepin or Hawaii, in Uptown
or on a bike in Southeast.

Critics of today do it too,
they just use other’s work for their muse.

In other words they describe yours,
without they would be nothing.

With, they have a job, or something…
Again, that is as good as to not do.

July 16, 2015

An Evening in a North Forest

Loam, marrow, stone, and humus—
where open groves of pine bent in sway,
stained-wood new growth,
a green tent setup
and stretched between.

We went tearing, hard traipsing,
gutting fish at a low fire glow
near an old truck.

A sharp knife’s prick in
a valley’s deep expanse—
words far off and then gone;

neighbors chattered, birds chirped,
and the wind whistled
where we breathed in,
adjusted focus, stretched, and pulled.

It was merely coming through,
it was a mere passing chance.

It was an evening in a north forest.

July 10, 2015

Do We Ever Actually Sleep?

Entering new worlds to escape another
I woke up from a dream in a lonely bed.
Real life sat next to it on the nightstand,
in the early stretches, in “slept like a rock”
preparation for what’s to come. Today
was like any other, though different—shall
we double: it is shit and it is great. I would
cite Rosencrantz and Guildenstern, but
they are dead. I would cite Anton Chigurh,
but he is nowhere to be found. “They are.
It is.” Those statements defining the
day, the morning, the thrown pillows, drool
stained, and crumpled blankets with their cat
hair, are your shell, your cocoon exited.
They rest there, waiting for another moment
to bring adventure, where you fall into the
fold and escape this life to REM, to where
monsters and mistresses await, where gold
and garbage stay; past loved ones welcoming
you in boats, and in jest. That to this, this
to that. Don’t become unwrapped for awoken
reality hits full on hard. There fellow man
meets to never actually meet. We relate,
but never truly. Reaching for the water on
the dusty dresser top, cat at my feet, shades
drawn, another day to walk to the kitchen,
open the fridge, to make breakfast, marks
and tracks, to make me. I enter this world
from another. I wonder, do we ever actually
sleep? And then I wake from this dream.

July 8, 2015

Minneapolis Offers A Melting Pot Literary Scene

Sure, they tell you to
join their literary groups
in order to get your words read,
in order to get your art noticed,
in order to make an impression on
the blossoming local scene.

Well, it’s just that: local,
and it still is, that’s it.

And a person can become
an organization alone.

Few think about a broad world
where 9 billion people might enjoy
everything or nothing that the creative
text you wrote has to offer…

Yeah, I think, gatherings are good for some—
those who need crutches for strong legs,
or those who need stitches for band aids.

Those who need editors
to change their ideas
so they will sell
and morph into comfortable writers.

I need approval
from institutions to feel good
about myself,
imagine that.

That would have to be
my anti-motto, something I truly avoid.

Ha! Such jokes…

Years back no one would read
new cognitive prose,
my free work, no one would talk
about it,
zero recognition—I certainly wasn’t overseas then,
and I still am as called before
a “failed writer”.

Everyone was doing their own thing;
others were not as important,
it was about self—well, selfishness,
but on the side there was
a feigned pack mentality.

The only change they wanted
was the change they made.

Now poets go around
and pretend as though
everyone in the Cities
should get involved,
because what they were doing
back then, individually didn’t work,
so lets band together.

It didn’t pan out for them.
Their dreams came only at REM.

So, now they organize cliques,
they establish large groups into
bad plays on high society hierarchy,
the kind of thing that real
artists have vehemently loathed.

They set their own rules, now,
and their own guidelines—
if you can’t beat them join them—
yeah, good idea.

What a theory,
such lack of heart.

I think in this case
to become a part of it,
to get to the epicenter,
to get to the whole,
to be welcomed into this special circle,
the imaginary self-actualized poet,
non-starving artist,
famous, you-know-me sort of thing,

you would have to admit defeat,
you would have to admit you lost,
and that your initial passions
were complete shit.

You would probably have to change your ways,
attempt to be more like them—
assimilate, like the rest,
figure hip dress, obscure verse,
employ ten-dollar words,
cloned topics—of course gendered,
racial, anthropological, progressive,
and leftist political,
try for universal acceptance, right here.

***

Yawn, I say,
describe a situation,
an actual event:

CC was on 4th street SE at the bus stop,
she had forgotten my name,
her lips were red,
she said she had a new job.

I rode away on a bike
while passing out flyers.

***

I mean, you might as well kill progress,
just so your road is less rocky.
Leave change by the wayside,
never go against the grain.

A conformist mentality
will help you fit in better,
don’t ya know?

Your personality, your ideology discussed
only in past-tense phraseology and terms,
it all must go.

More of the same than Minnesota lakes.

But then you think about
how you were once a unique person,
an artist, that no one read,
no one cared about,
and how it was fun doing what you loved.

People read, they were baffled, confused,
or were turned off—or became aroused.

Now you do it to please others,
while not pleasing yourself,
while pandering to their ways.

They stare, they clap, they record,
they namedrop, to charm the masses, for a club,
to be accepted, to be loved for being
something that they are entirely not.

No way.

See, I imagine that.
I fancy fickle easy artists,
they travel in bands
with big words and little action.

One would have to sell off
their creative soul
to even try to get involved.

I imagine fellatio costs less,
either way they get ahead.

Am I in Hollywood?
It’s so confusing.

June 26, 2015

How I write poetry

Could they hear me at the desk oozing prose onto the page,
clipping hard at the keys for grammar,
few words and blank space,
giving my all just for free writing?

Had they known my walk through the pre-day skyway,
the negative eighty degree cooler I passed—I am like that: cool and old.

Had they been blinded by a window’s reflection
or kissed their love before exiting a truck?

Could they feel the concentration,
the poise,
the inspiration,
of each line, in each book
held in heavy hand?

White came black, black came red—what you read this heap (?),
red turned pale, then yellow, then green—the fear, coming out of me.

This was it,
the beginning of the end,
and I had just opened Word
to give my fingers a stretch.

How coffee, how Grape-Nuts, how banana,
how milk, how ab workouts and a tepid shower
had been the muse to it all.

My body in the morning, my morning.
They hadn’t known.

Or at least that’s what I thought.

June 24, 2015

Adjusted Advantage

The world can seem so small
when assessed from the confines
of a one bedroom apartment.
A space tight, sticky, stuffy,
and near unbearably drab.
For a person to go outside and look,
to see all there is to see—to expand the expanse,
to imagine what one might attain
in the span of a lifetime,
at the change of a thought,
on the prospect of a whim, at the drop of a dime.
A perspective can be released
from its rigid boxy cage to stretch sore wings
and to grasp the once unthinkable,
for merely a chance thought,
and for adjusted sight, mercy!

June 22, 2015

St. Anthony Waste

Sour leather bands synched
in a veiled humidity,
swam this Midwestern oven,
doggy paddle for fluid strokes.
Rolled windows on St. Anthony
caught a trash truck soup
of faintly fanned aroma sweet
under parted clouds;
cloy cutting, putrid, pungent,
unforgettably at the tip of your tongue,
in the holes of your nose.
Fumes came from plastic bags ripped
and cardboard boxes smashed
telling of domestic unimagineables,
making way to the forefront,
aggressively introduced,
and not leaving soon.
Remnants pressing,
pushing through the city;
parts of me, parts of you—
the powers of summer heat sparked
a sickening knotted perfume,
lingering in the air,
in these communities tight knit.

June 19, 2015

A Moment Mid-Commute

Slowing my advance
the smell of fresh dew
on bending grass,
deeply rich, as pubic loin,
naturally beaded,
morning fruit,
coming up into me.

Passing chance is a pedestrian
at another drink,
to sup, to taste—to figure:
the luck.

Beyond what affords
the wires and cords,
the libations of vibrations—in pocket and lapel;
consorts of sorts:
eyes to see to tell,
caught in a room, in a shell.

Here it is running between sharp teeth,
between punch in and punch out,
the texture expands on the tip of tense tongue,
to drown the drain
in the welcome back of a dry desert throat,
where we once spoke.

Yesterday’s sun had taken all proof
of what there was to own:
the house, the car, the student loans, the mobile phone.

Every drop of hydration
was taken from placement.

And then that orb went away
with the dying day,
to blackest night,
to come back and drop what it lacked,
to give what it had taken away.

These globules,
these droplets of life,
here on fine grass, stay,
for all to gleam as they pass.

Seeing yard for a blade.
Seeing hours for a wait.
Bearing witness to its presence,
to this small existence, to little menace.

Taken its smell,
dew on these forms,
forms on this ball,
lit up by yellow orb,
spinning, rolling, coming down,
into finite points,
magnified and reflected,
encapsulating each particle universal,
directly into you.

A most minute sense,
and worldly.

To think,
it was almost unbearable
to enter that building
on this day.

May 10, 2015

It was Highland in a Nutshell

It was wet cans of PBR from a Coleman cooler
and pulls of Bulleit whisky warm
on a Friday night.

It was green Jalapeño poppers wrapped in fatty bacon
next to glistening short-cut rib rows
in a twilight kitchen.

It was pickup trucks frolicking in rusted skirts
over deep grass fields,
while hunters gathered fungi at the midday shade.

It was alabaster ashes of last evening’s fire
smoldering, becoming ghost stale
near metal pasture gates left wide open.

It was small brown trout caught in cold streams
bleeding, below an Amherst hillside
melting in the last light of a springtime Saturday.

It was Driftless region bluff’s strong straight-wind
carrying Johnny Cash’s “Sunday Morning Coming Down”
into folding valleys asunder from a driver’s side window.

It was a weekend’s mosaic of moments,
laced in and strung up together,
of oscillating seconds and intrinsic perspective.

Oh, it was…

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